Off Da Streets: Mr. D.Mus ft Nikotien Long - Gazzie.

Mr. D.Mus has blessed us with another underground offering. This one is called Gazzie, and features a very talented underground MC by the name of Nikotien Long. Download it now!

[My breakfast is kondense melk met versterk druppels, Yes mi lion! - Nikotien Long]

HIP HOP LIVES!!!!!!!!!!!!

Off Da Streets: Tujay Harmoniquez - Myself The Third Person

A sample of what Tujay has been up to. Be on the lookout for "PArental Guidance". [His promo scheduled to drop soon]

HIP HOP LIVES!!!!!!!!!!!!!!

UnderGround Ad: Iapetus Productions.

These are some of the most respected, gifted and lyrically skilled MCs on the UnderGround scene. Iapetus Productions is made up of hYMPHATIC tHABS, bRAVESTARR, gIN I gRINDITH AND rOBO tHE tECHNICIAN. All backed by infamous underground producer kANIFE.

I been on a hustle tryna speak to one of them (won't say who it is yet). Expect a interview coming soon.

HIP HOP LIVES!!!!!!!!!!!!!!!!!!!!!

UnderGround Gig: Expressionists Torn In Torn Out for the Women!

Expressionists in Cap City will be hosting the Torn In Torn Out session this Friday, at TUTs main campus, as part of the Women's Month celebration. The event will feature an extensive selection of Cap City FEMCees doing their thing through spoken word, lyrical skills and vocals. Be sure to get at it!

For more info, get on http://jamrockexpress.blogspot.com

Expressionist Express, Jamrock Express!

UnderGround Theory: Third Eye Series - SWINE FLU Conspiracy pt.2

In her [Burgermeister] April charges, she noted that Baxter's lab in Austria, one of the supposedly most secure biosecurity labs in the world, did not adhere to the most basic and essential steps to keep 72 kilos of a pathogen classified as a bioweapon secure and separate from all other substances under stringent biosecurity level regulations, but it allowed it to be mixed with the ordinary human flu virus and sent from its facilities in Orth in the Donau.

In February, when a staff member at BioTest in the Czech Republic tested the material meant for candidate vaccines on ferrets, the ferrets died. This incident was not followed up by any investigation from the WHO, EU, or Austrian health authorities. There was no investigation of the content of the virus material, and there is no data on the genetic sequence of the virus released.

In answer to parliamentary questions on May 20th, the Austrian Health Minister, Alois Stoger, revealed that the incident had been handled not as a biosecurity lapse, as it should have been, but as an offence against the veterinary code. A veterinary doctor was sent to the lab for a brief inspection.

Burgermeister's dossier reveals that the release of the virus was to be an essential step for triggering a pandemic that would allow the WHO to declare a Level 6 Pandemic. She lists the laws and decrees that would allow the UN and WHO to take over the United States in the event of pandemic. In addition, legislation requiring compliance with mandatory vaccinations would be put into force in the U.S. under conditions of pandemic declaration.

She charges that the entire "swine flu" pandemic business is premised on a massive lie that there is no natural virus out there that poses a threat to the population. She presents evidence leading to the belief that the bird flu and swine flu viruses have, in fact, been bioengineered in laboratories using funding supplied by the WHO and other government agencies, among others. This "swine flu" is a hybrid of part swine flu, part human flu and part bird flu, something that can only come from laboratories according to many experts.

WHO's claim that this "swine flu" is spreading and a pandemic must be declared ignores the fundamental causes. The viruses that were released were created and released with the help of WHO, and WHO is overwhelmingly responsible for the pandemic in the first place. In addition, the symptoms of the supposed "swine flu" are indistinguishable from regular flu or from the common cold. The "swine flu" does not cause death anymore often than the regular flu causes death.
Burgermeister notes that the figures for deaths reported for the "swine flu" are inconsistent and there is no clarity as to how the number of "deaths" has been documented.

There is no pandemic potential unless mass vaccinations are carried out to weaponize the flu under the guise of protecting the population. There are reasonable grounds for believing that the mandatory vaccines will be purposely contaminated with diseases that are specifically designed to cause death.

Reference is made to a licensed Novartis bird flu vaccine that killed 21 homeless people in Poland in the summer of 2008 and had as its "primary outcome measure" an "adverse events rate", thereby meeting the U.S. government's own definition of a bioweapon (a biological agent designed to cause an adverse events rate, i.e death or injury) with a delivery system (injection).

She alleges that the same complex of international pharmaceutical companies and international government agencies that have developed and released pandemic material have positioned themselves to profit from triggering the pandemic with contracts to supply vaccines. Media controlled by the group that is engineering the "swine flu" agenda is spreading misinformation to lull the people of the U.S. into taking the dangerous vaccine.

The people of the U.S. will suffer substantial and irreparable harm and injury if they are forced to take this unproven vaccine without their consent in accordance with the Model State Emergency Health Powers Act, National Emergency Act, National Security Presidential Directive/NSPD 51, Homeland Security Presidential Directive/HSPD-20, and the International Partnership on Avian and Pandemic Influenza.
In the U.S. since 2008, Burgermeister charges that those named in her allegations have implemented new and/or accelerated the implementation of laws and regulations designed to strip the citizens of the U.S. of their lawful constitutional rights to refuse an injection. These people have created or allowed provisions to remain in place that make it a criminal act to refuse to take an injection against pandemic viruses. They have imposed other excessive and cruel penalties such as imprisonment and/or quarantine in FEMA camps while barring the citizens of the U.S. from claiming compensation from injury or death from the forced injections. This is in violation of the laws governing federal corruption and the abuse of office as well as of the Constitution and Bill of Rights. Through these actions, the named defendants have laid the groundwork for mass genocide.

Using the "swine flu" as a pretext, the defendants have preplanned the mass murder of the U.S. population by means of forced vaccination. They have installed an extensive network of FEMA concentration camps and identified mass grave sites, and they have been involved in devising and implementing a scheme to hand power over the U.S. to an international crime syndicate that uses the UN and WHO as a front for illegal racketeering influenced organized crime activities, in violation of the laws that govern treason.

She further charges that the complex of pharmaceutical companies consisting of Baxter, Novartis and Sanofi Aventis are part of a foreign-based dual purpose bioweapons program, financed by this international criminal syndicate and designed to implement mass murder to reduce the world's population by more than 5 billion people in the next ten years. Their plan is to spread terror to justify forcing people to give up their rights, and to force mass quarantine in FEMA camps. The houses, companies and farms and lands of those who are killed will be up for grabs by this syndicate.

By eliminating the population of North America, the international elite gain access to the region's natural resources such as water and undeveloped oil lands. And by eliminating the U.S. and its democratic constitution by subsuming it under a North American Union, the international crime group will have total control over North America

Writing: Roy Nelson
Pix: Protect DaInternet

UnderGround Review: Ableton Live v.8 pt.2!

As promised, The UnderGround aNgLe is proud to present the second half of the Ableton Live review. Enjoy!

Instruments

Built-In
• Impulse is a more or less traditional drum sequencing instrument which allows for defining a kit of up to eight drum sounds. There are a number of options available for preprocessing these samples such as basic equalization, attack, decay, pitch shift, etc. Once the kit is defined these samples are arranged into groups of measures using a piano-roll interface.
• Simpler is a relatively easy to use sampling instrument. It is based on working with a single sample, applying preprocessing and then arranging it in a piano roll interface. In this case, rather than the notes representing different samples as in Impulse, the samples are pitch shifted to the selected note.

Add-On

There are a number of additional instruments which may be purchased separately or as part of the Ableton Suite. [4]
• Sampler is an enhanced sampler.
• Operator is an FM synthesizer.
• Electric is an electric piano instrument.
• Tension is a string physical modelling synthesizer.
• Collision is a mallet percussion physical modelling synthesizer.
• Analog simulates an analog synthesizer.
• Drum Machines is a collection of emulators for classic drum machines.
• Session Drums is a collection of sampled drum kits.
• Latin Percussion is a collection of sampled latin percussion hits and loops.
• Essential Instruments Collection is a large collection of acoustic and electric instrument samples.
• Orchestral Instrument Collection is a collection of four different
orchestral libraries, which can be purchased individually or as a bundle. They are as follows: Orchestral Strings, Orchestral Brass, Orchestral Woodwinds and Orchestral Percussion. The Orchestral Instrument Collection is not included in Live Suite.

Effects

Most of the effects are fairly familiar effects in the digital signal processing world which have been adapted to fit Live's interface. They are however fairly obviously tailored for the target audience of Live – electronic musicians and DJs – rather than, say, post processing a guitar rig.

The audio effects shipped with Live are:
• Auto Filter
• Auto Pan
• Beat Repeat
• Chorus
• Compressor
• Corpus
• Dynamic Tube
• EQ Eight
• EQ Three
• Erosion
• Filter Delay
• Flanger
• Frequency Shifter
• Gate
• Grain Delay
• Limiter
• Looper
• Multiband Dynamics
• Overdrive
• Phaser
• Ping Pong Delay
• Redux
• Resonators
• Reverb
• Saturator
• Simple Delay
• Spectrum
• Utility
• Vinyl Distortion
• Vocoder

Additionally, there are a handful of MIDI effects:
• Arpeggiator
• Chord
• Note Length
• Pitch
• Random
• Scale
• Velocity

Live is also able to use VST and (on the Macintosh version) Audio Unit (AU) plug-ins.
Working with audio clips
In addition to the instruments mentioned above, Live can work with samples. Live attempts to do beat analysis of the samples to find their meter, number of bars and the number of beats per minute. This makes it possible for Live to shift these samples to fit into loops that are tied into the piece's global tempo.
Additionally Live's Time Warp feature can be used to either correct or adjust beat positions in the sample. By setting warp markers to a specific point in the sample, arbitrary points in the sample can be pegged to positions in the measure. For instance a drum beat that fell 250 ms after the midpoint in measure may be adjusted so that it will be played back precisely at the midpoint.
Some artists and online stores, such as The Covert Operators and Puremagnetik, now make available sample packs that are pre-adjusted, with tempo information and warp markers added. The audio files are accompanied with an "analysis file" in Live's native format.

Envelopes

Almost all of the parameters in Live are controlled by envelopes which may be drawn either on clips and will be used in every performance of that clip or into the arrangement so that they vary at different points in the playback of a composition. The most obvious examples are volume or track panning, but these are also used in Live to set things like the root note of a resonator or the delay time or feedback amount for a delay effect. Essentially these map to most of what would be a knob on an effect in a traditional audio processing rack and in fact they may be mapped to knobs on MIDI controllers.

Live 8

On January 15, 2009, Ableton announced version 8 of Live. Live 8 includes a wealth of new features, including an integrated Max/MSP platform, internet collaboration features, and many new effects and workflow enhancements, as well as a refined piracy protection system. Also announced was a dedicated hardware controller developed in collaboration with Akai, called the APC40. Live 8 was released on April 1st of 2009. Max for Live is slated for release in 2009.

UnderGround Ad: ReasonWenzTheAlbumCuminOut? mixtape

Due very soon. Check out some of the features; Ben Sharpa, Drie, XO and more!

We eagerly await...

HIP HOP LIVES!!!!!!!!!!!!!!!!!!!!!!!!!