"The diminution or elimination of state-enforced restrictions on exchanges across borders and the increasingly integrated and complex global system of production and exchange that has emerged as a result." Tom G. Palmer, of the Cato Institute.
This was once the most accurate definition of globalization. Things have since taken a turn to communication based globalization according to Anthony Giddens, a British sociologist renowned for his 1999 book ‘Runaway World: How globalization is reshaping our lives’, who suggests that communication has become the cornerstone of modern globalization. I present this essay to illustrate the transition the world has taken from economic globalization to communication based globalization.
The term "globalization" has been used by economists since the 1980s. However, its concepts did not become popular until the latter half of the 1980s and 1990s. Early forms of globalization existed during the Roman Empire, the Parthian empire, and the Han Dynasty, when the Silk Road started in China, reached the boundaries of the Parthian empire, and continued onwards towards Rome. In the 17th century, globalization became a business phenomenon when the British East India Company, which is often described as the first multinational corporation, was established. Because of the high risks involved with international trade, the British East India Company became the first company in the world to share risk and enable joint ownership of companies through the issuance of shares of stock: an important driver for globalization.
After World War II, politicians recognized the costs associated with protectionism and declining international economic integration. This led to the Bretton Woods conference and the founding of several international institutions intended to oversee the renewed processes of globalization, These institutions include the International Bank for Reconstruction and Development (the World Bank), and the International Monetary Fund.
Globalization has been facilitated by advances in technology which have reduced the costs of trade, and trade negotiation rounds, originally under the auspices of the General Agreement on Tariffs and Trade (GATT). The barriers of international trade seemed to have been broken down, or at least lowered through international agreements. GATT, in cohesion with the World Trade Organization (WTO) then carried out certain initiatives that established economic trade as the fundamental keystone of globalization. These initiatives include;
• Promotion of free trade:
o Reduction or elimination of tariffs; creation of free trade zones with small or no tariffs
o Reduced transportation costs, especially resulting from development of containerization for ocean shipping.
o Reduction or elimination of capital controls
o Reduction, elimination, or harmonization of subsidies for local businesses
• Restriction of free trade:
o Harmonization of intellectual property laws across the majority of states, with more restrictions.
o Supranational recognition of intellectual property restrictions (e.g. patents granted by China would be recognized in the United States)
Looking specifically at economic globalization, the establishment of fast-food chains is a very good example of the rapid growth that economic globalization in a short space of time, this demonstrates that it can be measured in different ways. These center around the four main economic flows that characterize globalization:
• Goods and services, e.g. exports plus imports as a proportion of national income or per capita of population
• Labor/people, e.g. net migration rates; inward or outward migration flows, weighted by population
• Capital, e.g. inward or outward direct investment as a proportion of national income or per head of population
• Technology, e.g. international research & development flows; proportion of populations (and rates of change thereof) using particular inventions (especially 'factor-neutral' technological advances such as the telephone, motorcar, broadband)
As globalization is not only an economic phenomenon, a multivariate approach to measuring globalization is the recent index calculated by the Swiss think tank KOF. The index measures the three main dimensions of globalization: economic, social, and political. In addition to three indices measuring these dimensions, an overall index of globalization and sub-indices referring to actual economic flows, economic restrictions, data on personal contact, data on information flows, and data on cultural proximity is calculated.
“However, I don't believe either the skeptics or the radicals have properly understood either what it is or its implications for us. Both groups see the phenomenon almost solely in economic terms. This is a mistake. Globalization is political, technological and cultural, as well as economic. It has been influenced above all by developments in systems of communication, dating back only to the late 1960's.” Anthony Giddens.
In his lecture, Giddens goes on to explain how the political and cultural globalization has become just as important as the economic factor. This brings into light the influence communication has had on globalization. It is important to realize that globalization cannot be credited to the ‘open economy’ but to a number of other factors, which include a more technologically advanced society that interacts on a more personal and instant level.
Globalization thus is a complex set of processes, not a single one. And these operate in a contradictory or oppositional fashion. Most people think of it as simply 'pulling away' power or influence from local communities and nations into the global arena. And indeed this is one of its consequences. Nations do lose some of the economic power they once had.
However, it also has an opposite effect. Globalization not only pulls upwards, it pushes downwards, creating new pressures for local autonomy. The American sociologist Daniel Bell expresses this very well when he says that the nation becomes too small to solve the big problems, but also too large to solve the small ones.
Since the burst in world wide trade and the breakthrough of economic globalization, much has changed. Most credit should be given to the internet for putting communication based globalization on the map so to speak. As the most influential country’s economies are heading towards collapse, only time will tell if the shoulders of communication are broad enough to carry globalization.
Writing: Submerged Knowledge
Pix: Protect DaInternet
[From what you have read above, do you know see how first world countries are using globalization and online communication to further expand their empires? It is only a matter of time before we are introduced to the New World Order and One World Government! Thank you SK. Peace – Oblivious Truth]
Friday, July 31, 2009
Friday, July 24, 2009
UnderGround Ad: F-Eezy - Skelem 4 Sale
Thursday, July 23, 2009
UnderGround Opinion: Synoptix Tha Distorted One!
Now, I’m an old school type of head. You know, the boom bap, soul beats and intellectual raps type of head? But, there seems to be a problem with my kind of people. They choose to keep their knowledge and enlightened sense of hip hop to themselves and will not share this knowledge that they have attained with the new school heads that need it in order to understand the culture and mature themselves musically. In instances like these I find myself asking, why?
I often hear heads asking where ‘the real’ has gone to, and then blaming it on the young ones saying that they know nothing about the roots of the art. Well, here’s my viewpoint. The young heads won’t wake up one morning and start quoting classic scripts from Big L, Rakim and KRS1! They don’t know about these people and so therefore need to be schooled about them.
The new school heads are exposed to the bubblegum and pop beats type of crap (can’t call it music) and will therefore associate themselves with it because it’s what they see in the media, meanwhile the real heads keep pointing fingers and blaming the youngns for not following true hip hop. Truth is, you can’t blame these people for not knowing because to them Soulja boy is real hip hop and this happens because no one is there to teach them what real is.
Some of us heads (if not all of us, I don’t know) started out listening to the commercial nonsense before we met someone who said to us:” Kid, this is what you should be listening to.” Or “What the hell is that bullshit! This is what hip hop is kid.”
And then letting you listen to Wu-Tang or Pac portraying their life through a beat for your young mind to relate to. Now, is this not what we “real heads” should be doing today? Schooling the young heads, which will in turn help the culture to flourish and not be misinterpreted by some clowns who want to make a quick buck at the expense of the art form that means so much to you and I.
Don’t you think that if that Dem Franchise Boys track were to be substituted by an optical illusion capital O killer cut, we would have more young’ns recruited to our side? How did it feel when that older brother, Cousin or friend introduced you to that Illmatic tape by Nas? You were most probably intrigued by this music and felt like you wanted to be a part of it, and now you are! So now it’s your turn to give back what hip hop gave you.
Hip hop helped you grow and opened your eyes to the injustices and beauty of the world. Wouldn’t it be great if you could give the same gift to someone else? So the next time you see a kid in a multicolored hoodie with Soulja boy playing on his phone speaker, don’t diss him and blame him for the path that hip hop has taken but rather show him what real art is and then next time he might know how to sift through the wackness to get to the dope.
This is our job as heads because this will save our music from destruction and therefore build a new breed of heads who can continue the culture and help it grow. Let’s stop monopolizing hip hop, it’s ours to share.
Writing: Sipho “Synoptix” Khumalo
Pix: Synoptix
I often hear heads asking where ‘the real’ has gone to, and then blaming it on the young ones saying that they know nothing about the roots of the art. Well, here’s my viewpoint. The young heads won’t wake up one morning and start quoting classic scripts from Big L, Rakim and KRS1! They don’t know about these people and so therefore need to be schooled about them.
The new school heads are exposed to the bubblegum and pop beats type of crap (can’t call it music) and will therefore associate themselves with it because it’s what they see in the media, meanwhile the real heads keep pointing fingers and blaming the youngns for not following true hip hop. Truth is, you can’t blame these people for not knowing because to them Soulja boy is real hip hop and this happens because no one is there to teach them what real is.
Some of us heads (if not all of us, I don’t know) started out listening to the commercial nonsense before we met someone who said to us:” Kid, this is what you should be listening to.” Or “What the hell is that bullshit! This is what hip hop is kid.”
And then letting you listen to Wu-Tang or Pac portraying their life through a beat for your young mind to relate to. Now, is this not what we “real heads” should be doing today? Schooling the young heads, which will in turn help the culture to flourish and not be misinterpreted by some clowns who want to make a quick buck at the expense of the art form that means so much to you and I.
Don’t you think that if that Dem Franchise Boys track were to be substituted by an optical illusion capital O killer cut, we would have more young’ns recruited to our side? How did it feel when that older brother, Cousin or friend introduced you to that Illmatic tape by Nas? You were most probably intrigued by this music and felt like you wanted to be a part of it, and now you are! So now it’s your turn to give back what hip hop gave you.
Hip hop helped you grow and opened your eyes to the injustices and beauty of the world. Wouldn’t it be great if you could give the same gift to someone else? So the next time you see a kid in a multicolored hoodie with Soulja boy playing on his phone speaker, don’t diss him and blame him for the path that hip hop has taken but rather show him what real art is and then next time he might know how to sift through the wackness to get to the dope.
This is our job as heads because this will save our music from destruction and therefore build a new breed of heads who can continue the culture and help it grow. Let’s stop monopolizing hip hop, it’s ours to share.
Writing: Sipho “Synoptix” Khumalo
Pix: Synoptix
Sunday, July 19, 2009
Monday, July 13, 2009
UnderGround Innerview: Tujay Harmoniquez
If there was ever a definition of an underground MC, this would be it. Tujay Harmoniquez has been on the South African hip hop scene for a number of years now, and has already released his first album, started his own label, recruited new underground artists and is currently working on two new releases scheduled for late 09- early 2010. Now you might be asking yourself; why am I not familiar with his music? Answer: Cos he’s too underground for ya!
The UnderGround aNgLe was lucky enough to get an exclusive interview with the man himself about where he’s been, what he’s up to and what’s dropping next. Peep this.
You’ve been putting in mad studio time since you dropped 16 Bar Wire in 2008, what are you working on?
Just been hard at work with my album R18VSNL (Visual Sentences N Lyrics) and my upcoming promo titled Parental Guidance. I also been grindin’ on a couple features and projects I’m invited on; like the Lyrical Murda mixtape in London.
What’s 4Site Musik, and who are the artists affiliated with it?
4Site is my label. The name was inspired by me being a visionary, but also that I one day want it to be a internet driven label strictly selling online on mobile and pc. We affiliated with Ruff Cuttz Entertainment, we actually also working on making a conglomerate called Hitmason Family which is founded by my boy Krossword(Ruff Cuttz Ent Head) and myself.
What’s your relationship with Royal Swiss Cartel (R.S.C)?
I had been looking for management for a while man... I actually tried couple people that had big promises but never followed up. When I met K-Swiss, she told me bout R.S.C and I was very interested. they'll be releasing a compilation titled 'The Vault' with artists that they’re affiliated with including me and other big names like Rashid Kay and A.K.A to name a few. That'll be also touring the album.
When can we expect R18SNVL?
Ima’ release Parental Guidance first. That'll have my 3 singles and some tracks on used beats and some that didn't make the album. So during 'The Vault' tour, I'll be giving it away for free. Once there's demand, then I'll release R18VSNL.
Who are you working with on your next project?
At the moment I’m working my homies Krossword and my artist Trey Eighty. With production, also Krossword but I’m always chatting and networking, meaning a lot of production will come through so I can’t mention everyone now.
How are you planning on getting your music out there?
Mostly on the net bra, but also at gigs and Slam poetry sessions which is something I’ve recently taken on.
In the meantime, where can heads listen to Tujay Harmoniquez?
Get it or listen to it on Soundclick.com/TujayHarmoniquez or check me out on
Loadtheshow.com/show/TujayHarmoniquez
Make sure you get on these sites to check out Tujay Harmoniquez!
Writing: Unconscious Reality
Pix: 4Site Musik
The UnderGround aNgLe was lucky enough to get an exclusive interview with the man himself about where he’s been, what he’s up to and what’s dropping next. Peep this.
You’ve been putting in mad studio time since you dropped 16 Bar Wire in 2008, what are you working on?
Just been hard at work with my album R18VSNL (Visual Sentences N Lyrics) and my upcoming promo titled Parental Guidance. I also been grindin’ on a couple features and projects I’m invited on; like the Lyrical Murda mixtape in London.
What’s 4Site Musik, and who are the artists affiliated with it?
4Site is my label. The name was inspired by me being a visionary, but also that I one day want it to be a internet driven label strictly selling online on mobile and pc. We affiliated with Ruff Cuttz Entertainment, we actually also working on making a conglomerate called Hitmason Family which is founded by my boy Krossword(Ruff Cuttz Ent Head) and myself.
What’s your relationship with Royal Swiss Cartel (R.S.C)?
I had been looking for management for a while man... I actually tried couple people that had big promises but never followed up. When I met K-Swiss, she told me bout R.S.C and I was very interested. they'll be releasing a compilation titled 'The Vault' with artists that they’re affiliated with including me and other big names like Rashid Kay and A.K.A to name a few. That'll be also touring the album.
When can we expect R18SNVL?
Ima’ release Parental Guidance first. That'll have my 3 singles and some tracks on used beats and some that didn't make the album. So during 'The Vault' tour, I'll be giving it away for free. Once there's demand, then I'll release R18VSNL.
Who are you working with on your next project?
At the moment I’m working my homies Krossword and my artist Trey Eighty. With production, also Krossword but I’m always chatting and networking, meaning a lot of production will come through so I can’t mention everyone now.
How are you planning on getting your music out there?
Mostly on the net bra, but also at gigs and Slam poetry sessions which is something I’ve recently taken on.
In the meantime, where can heads listen to Tujay Harmoniquez?
Get it or listen to it on Soundclick.com/TujayHarmoniquez or check me out on
Loadtheshow.com/show/TujayHarmoniquez
Make sure you get on these sites to check out Tujay Harmoniquez!
Writing: Unconscious Reality
Pix: 4Site Musik
Sunday, July 12, 2009
UnderGround Beef: Munetsi vs. Zubz?
I recently came across this diss track aimed at Zubz the Last Letter on SS. From what I can tell, mUnesti is a Zim rapper who claims that Zubz has no support from his hometown, Harare, and that he called out the Golden mic holder but Zubz backed out??
Not sure if he's just taking shots. Anyway, check out the track titled Dzino owns you on SS.
PS: Dzino is the owner of Outrageous Records.
Tuesday, July 7, 2009
UnderGround Workshop: National Arts Festival hip hop workshop
Hip hop Activism is a seminar that will be held by Dr. Adam Haupt from UCT on Saturday 11 July at the National Arts Festival in Grahamstown, Eastern Cape. The seminar begins at 2:30 and will run for 60 mins at the Blue Theatre Eden Grove.
Info on Dr Haupt and Hip Hop Activism: Author of Stealing Empire: P2P, Intellectual Property and Hip-Hop Subversion, ADAM HAUPT asks "Is hip-hop blinged out?" Critics have made a great deal of the extent to which consumerism has overtaken youth culture, and hip-hop is their favourite case in point.
In this lecture, Haupt explores that part of hip-hop that "won't stop" - hip-hop activism. Haupt is a Senior Lecturer in the Centre for Film and Media Studies at the University of Cape Town. He has taught in the English Department at the University of the Western Cape as well as in the English and Drama departments at the University of Stellenbosch.
Tickets are available for R20 on www.nationalartsfestival.co.za. Book Now!
Info on Dr Haupt and Hip Hop Activism: Author of Stealing Empire: P2P, Intellectual Property and Hip-Hop Subversion, ADAM HAUPT asks "Is hip-hop blinged out?" Critics have made a great deal of the extent to which consumerism has overtaken youth culture, and hip-hop is their favourite case in point.
In this lecture, Haupt explores that part of hip-hop that "won't stop" - hip-hop activism. Haupt is a Senior Lecturer in the Centre for Film and Media Studies at the University of Cape Town. He has taught in the English Department at the University of the Western Cape as well as in the English and Drama departments at the University of Stellenbosch.
Tickets are available for R20 on www.nationalartsfestival.co.za. Book Now!
Wednesday, July 1, 2009
UnderGround Ad: RoadKill Magazine drops 2nd issue!
RoadKill Magazine is a local publication with the sole purpose of capturing Graffiti, as well as other illustrations, in South Africa’s major cities. This is their 2nd issue, which features high quality pictures, interviews with upcoming Graf artists as well as features on some of SA’s best underground Graffiti crews.
RoadKill Mag is available at the Shelf Life store in Cape Town, Ritual Store in Jsec or you can get it straight from the production company for R50! Cop it now!!
Look out for a full feature on Digital Design in underground hip hop coming soon!
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