Krossword says: "I released my first project in 2006 with the follow up in 2007, both projects circulated in Kimberley and made waves on the internet. In 2008, Rythmik and myself formed a duo called Skriptomaniakz, we released our mixtape over the internet in January 2009. I have performed at a number of gigs in Kimberley, Soweto and Sandton. I am currently working on my mixtape, "The Diamond Rush", this tape will be released in 2010 under my company, Ruff Cuttz Entertainment.
Ruff Cuttz ENT is home to artists Noni, Term, Rythmik, TnT2 and Krossword. with the official label producer being Nuk.
This tracks is the official leak from my upcoming mixtape.
TRACK: Ballad for the headz
Produced by Evo Canevo
Published by Ruff Cuttz Entertainment"
Download 'Ballad For The Headz' now!
Friday, October 9, 2009
Wednesday, September 9, 2009
UnderGround Ad: Rogue State Of Mind double disc!!
Rogue State Of Mind is a double disc compilation from High Voltage Entertainment featuring artists from Switzerland and SA. Underground MCs like Godessa, Mr. D.Mus, Jitsvinger, Nthabi Crosby and much much more make an appearance.
To get Rogue State Of Mind contact High Voltage Ent or google them!
[This is a very impressive compilation. Probably the best hiphop/ragga double disc that's gonna come outta SA this year. Get it now! - Oblivious Truth]
To get Rogue State Of Mind contact High Voltage Ent or google them!
[This is a very impressive compilation. Probably the best hiphop/ragga double disc that's gonna come outta SA this year. Get it now! - Oblivious Truth]
Friday, September 4, 2009
Off Da Streets: Def Boyz - UBOM
Coming straight outta Grahamstown, Eastern Cape. This joint by Def Boyz features Mr.X along a lovely female vocalist (whom we do not know).
This Spaza track is about keepin' on with your day to day struggle. I can relate. Hope you can too.
[Free Download]
[Free Download]
-------------->
-------------->
HIP HOP LIVES!!!!!!!
This Spaza track is about keepin' on with your day to day struggle. I can relate. Hope you can too.
[Free Download]
[Free Download]
-------------->
-------------->
HIP HOP LIVES!!!!!!!
Off Da Streets: Maniak - Street Fighter!
Monday, August 24, 2009
Off Da Streets: Mr. D.Mus ft Nikotien Long - Gazzie.
Off Da Streets: Tujay Harmoniquez - Myself The Third Person
Thursday, August 20, 2009
UnderGround Ad: Iapetus Productions.
These are some of the most respected, gifted and lyrically skilled MCs on the UnderGround scene. Iapetus Productions is made up of hYMPHATIC tHABS, bRAVESTARR, gIN I gRINDITH AND rOBO tHE tECHNICIAN. All backed by infamous underground producer kANIFE.
I been on a hustle tryna speak to one of them (won't say who it is yet). Expect a interview coming soon.
HIP HOP LIVES!!!!!!!!!!!!!!!!!!!!!
I been on a hustle tryna speak to one of them (won't say who it is yet). Expect a interview coming soon.
HIP HOP LIVES!!!!!!!!!!!!!!!!!!!!!
Tuesday, August 18, 2009
UnderGround Gig: Expressionists Torn In Torn Out for the Women!
Expressionists in Cap City will be hosting the Torn In Torn Out session this Friday, at TUTs main campus, as part of the Women's Month celebration. The event will feature an extensive selection of Cap City FEMCees doing their thing through spoken word, lyrical skills and vocals. Be sure to get at it!
For more info, get on http://jamrockexpress.blogspot.com
Expressionist Express, Jamrock Express!
For more info, get on http://jamrockexpress.blogspot.com
Expressionist Express, Jamrock Express!
Thursday, August 13, 2009
UnderGround Theory: Third Eye Series - SWINE FLU Conspiracy pt.2
In her [Burgermeister] April charges, she noted that Baxter's lab in Austria, one of the supposedly most secure biosecurity labs in the world, did not adhere to the most basic and essential steps to keep 72 kilos of a pathogen classified as a bioweapon secure and separate from all other substances under stringent biosecurity level regulations, but it allowed it to be mixed with the ordinary human flu virus and sent from its facilities in Orth in the Donau.
In February, when a staff member at BioTest in the Czech Republic tested the material meant for candidate vaccines on ferrets, the ferrets died. This incident was not followed up by any investigation from the WHO, EU, or Austrian health authorities. There was no investigation of the content of the virus material, and there is no data on the genetic sequence of the virus released.
In answer to parliamentary questions on May 20th, the Austrian Health Minister, Alois Stoger, revealed that the incident had been handled not as a biosecurity lapse, as it should have been, but as an offence against the veterinary code. A veterinary doctor was sent to the lab for a brief inspection.
Burgermeister's dossier reveals that the release of the virus was to be an essential step for triggering a pandemic that would allow the WHO to declare a Level 6 Pandemic. She lists the laws and decrees that would allow the UN and WHO to take over the United States in the event of pandemic. In addition, legislation requiring compliance with mandatory vaccinations would be put into force in the U.S. under conditions of pandemic declaration.
She charges that the entire "swine flu" pandemic business is premised on a massive lie that there is no natural virus out there that poses a threat to the population. She presents evidence leading to the belief that the bird flu and swine flu viruses have, in fact, been bioengineered in laboratories using funding supplied by the WHO and other government agencies, among others. This "swine flu" is a hybrid of part swine flu, part human flu and part bird flu, something that can only come from laboratories according to many experts.
WHO's claim that this "swine flu" is spreading and a pandemic must be declared ignores the fundamental causes. The viruses that were released were created and released with the help of WHO, and WHO is overwhelmingly responsible for the pandemic in the first place. In addition, the symptoms of the supposed "swine flu" are indistinguishable from regular flu or from the common cold. The "swine flu" does not cause death anymore often than the regular flu causes death.
Burgermeister notes that the figures for deaths reported for the "swine flu" are inconsistent and there is no clarity as to how the number of "deaths" has been documented.
There is no pandemic potential unless mass vaccinations are carried out to weaponize the flu under the guise of protecting the population. There are reasonable grounds for believing that the mandatory vaccines will be purposely contaminated with diseases that are specifically designed to cause death.
Reference is made to a licensed Novartis bird flu vaccine that killed 21 homeless people in Poland in the summer of 2008 and had as its "primary outcome measure" an "adverse events rate", thereby meeting the U.S. government's own definition of a bioweapon (a biological agent designed to cause an adverse events rate, i.e death or injury) with a delivery system (injection).
She alleges that the same complex of international pharmaceutical companies and international government agencies that have developed and released pandemic material have positioned themselves to profit from triggering the pandemic with contracts to supply vaccines. Media controlled by the group that is engineering the "swine flu" agenda is spreading misinformation to lull the people of the U.S. into taking the dangerous vaccine.
The people of the U.S. will suffer substantial and irreparable harm and injury if they are forced to take this unproven vaccine without their consent in accordance with the Model State Emergency Health Powers Act, National Emergency Act, National Security Presidential Directive/NSPD 51, Homeland Security Presidential Directive/HSPD-20, and the International Partnership on Avian and Pandemic Influenza.
In the U.S. since 2008, Burgermeister charges that those named in her allegations have implemented new and/or accelerated the implementation of laws and regulations designed to strip the citizens of the U.S. of their lawful constitutional rights to refuse an injection. These people have created or allowed provisions to remain in place that make it a criminal act to refuse to take an injection against pandemic viruses. They have imposed other excessive and cruel penalties such as imprisonment and/or quarantine in FEMA camps while barring the citizens of the U.S. from claiming compensation from injury or death from the forced injections. This is in violation of the laws governing federal corruption and the abuse of office as well as of the Constitution and Bill of Rights. Through these actions, the named defendants have laid the groundwork for mass genocide.
Using the "swine flu" as a pretext, the defendants have preplanned the mass murder of the U.S. population by means of forced vaccination. They have installed an extensive network of FEMA concentration camps and identified mass grave sites, and they have been involved in devising and implementing a scheme to hand power over the U.S. to an international crime syndicate that uses the UN and WHO as a front for illegal racketeering influenced organized crime activities, in violation of the laws that govern treason.
She further charges that the complex of pharmaceutical companies consisting of Baxter, Novartis and Sanofi Aventis are part of a foreign-based dual purpose bioweapons program, financed by this international criminal syndicate and designed to implement mass murder to reduce the world's population by more than 5 billion people in the next ten years. Their plan is to spread terror to justify forcing people to give up their rights, and to force mass quarantine in FEMA camps. The houses, companies and farms and lands of those who are killed will be up for grabs by this syndicate.
By eliminating the population of North America, the international elite gain access to the region's natural resources such as water and undeveloped oil lands. And by eliminating the U.S. and its democratic constitution by subsuming it under a North American Union, the international crime group will have total control over North America
Writing: Roy Nelson
Pix: Protect DaInternet
In February, when a staff member at BioTest in the Czech Republic tested the material meant for candidate vaccines on ferrets, the ferrets died. This incident was not followed up by any investigation from the WHO, EU, or Austrian health authorities. There was no investigation of the content of the virus material, and there is no data on the genetic sequence of the virus released.
In answer to parliamentary questions on May 20th, the Austrian Health Minister, Alois Stoger, revealed that the incident had been handled not as a biosecurity lapse, as it should have been, but as an offence against the veterinary code. A veterinary doctor was sent to the lab for a brief inspection.
Burgermeister's dossier reveals that the release of the virus was to be an essential step for triggering a pandemic that would allow the WHO to declare a Level 6 Pandemic. She lists the laws and decrees that would allow the UN and WHO to take over the United States in the event of pandemic. In addition, legislation requiring compliance with mandatory vaccinations would be put into force in the U.S. under conditions of pandemic declaration.
She charges that the entire "swine flu" pandemic business is premised on a massive lie that there is no natural virus out there that poses a threat to the population. She presents evidence leading to the belief that the bird flu and swine flu viruses have, in fact, been bioengineered in laboratories using funding supplied by the WHO and other government agencies, among others. This "swine flu" is a hybrid of part swine flu, part human flu and part bird flu, something that can only come from laboratories according to many experts.
WHO's claim that this "swine flu" is spreading and a pandemic must be declared ignores the fundamental causes. The viruses that were released were created and released with the help of WHO, and WHO is overwhelmingly responsible for the pandemic in the first place. In addition, the symptoms of the supposed "swine flu" are indistinguishable from regular flu or from the common cold. The "swine flu" does not cause death anymore often than the regular flu causes death.
Burgermeister notes that the figures for deaths reported for the "swine flu" are inconsistent and there is no clarity as to how the number of "deaths" has been documented.
There is no pandemic potential unless mass vaccinations are carried out to weaponize the flu under the guise of protecting the population. There are reasonable grounds for believing that the mandatory vaccines will be purposely contaminated with diseases that are specifically designed to cause death.
Reference is made to a licensed Novartis bird flu vaccine that killed 21 homeless people in Poland in the summer of 2008 and had as its "primary outcome measure" an "adverse events rate", thereby meeting the U.S. government's own definition of a bioweapon (a biological agent designed to cause an adverse events rate, i.e death or injury) with a delivery system (injection).
She alleges that the same complex of international pharmaceutical companies and international government agencies that have developed and released pandemic material have positioned themselves to profit from triggering the pandemic with contracts to supply vaccines. Media controlled by the group that is engineering the "swine flu" agenda is spreading misinformation to lull the people of the U.S. into taking the dangerous vaccine.
The people of the U.S. will suffer substantial and irreparable harm and injury if they are forced to take this unproven vaccine without their consent in accordance with the Model State Emergency Health Powers Act, National Emergency Act, National Security Presidential Directive/NSPD 51, Homeland Security Presidential Directive/HSPD-20, and the International Partnership on Avian and Pandemic Influenza.
In the U.S. since 2008, Burgermeister charges that those named in her allegations have implemented new and/or accelerated the implementation of laws and regulations designed to strip the citizens of the U.S. of their lawful constitutional rights to refuse an injection. These people have created or allowed provisions to remain in place that make it a criminal act to refuse to take an injection against pandemic viruses. They have imposed other excessive and cruel penalties such as imprisonment and/or quarantine in FEMA camps while barring the citizens of the U.S. from claiming compensation from injury or death from the forced injections. This is in violation of the laws governing federal corruption and the abuse of office as well as of the Constitution and Bill of Rights. Through these actions, the named defendants have laid the groundwork for mass genocide.
Using the "swine flu" as a pretext, the defendants have preplanned the mass murder of the U.S. population by means of forced vaccination. They have installed an extensive network of FEMA concentration camps and identified mass grave sites, and they have been involved in devising and implementing a scheme to hand power over the U.S. to an international crime syndicate that uses the UN and WHO as a front for illegal racketeering influenced organized crime activities, in violation of the laws that govern treason.
She further charges that the complex of pharmaceutical companies consisting of Baxter, Novartis and Sanofi Aventis are part of a foreign-based dual purpose bioweapons program, financed by this international criminal syndicate and designed to implement mass murder to reduce the world's population by more than 5 billion people in the next ten years. Their plan is to spread terror to justify forcing people to give up their rights, and to force mass quarantine in FEMA camps. The houses, companies and farms and lands of those who are killed will be up for grabs by this syndicate.
By eliminating the population of North America, the international elite gain access to the region's natural resources such as water and undeveloped oil lands. And by eliminating the U.S. and its democratic constitution by subsuming it under a North American Union, the international crime group will have total control over North America
Writing: Roy Nelson
Pix: Protect DaInternet
Tuesday, August 11, 2009
UnderGround Review: Ableton Live v.8 pt.2!
As promised, The UnderGround aNgLe is proud to present the second half of the Ableton Live review. Enjoy!
Instruments
Built-In
• Impulse is a more or less traditional drum sequencing instrument which allows for defining a kit of up to eight drum sounds. There are a number of options available for preprocessing these samples such as basic equalization, attack, decay, pitch shift, etc. Once the kit is defined these samples are arranged into groups of measures using a piano-roll interface.
• Simpler is a relatively easy to use sampling instrument. It is based on working with a single sample, applying preprocessing and then arranging it in a piano roll interface. In this case, rather than the notes representing different samples as in Impulse, the samples are pitch shifted to the selected note.
Add-On
There are a number of additional instruments which may be purchased separately or as part of the Ableton Suite. [4]
• Sampler is an enhanced sampler.
• Operator is an FM synthesizer.
• Electric is an electric piano instrument.
• Tension is a string physical modelling synthesizer.
• Collision is a mallet percussion physical modelling synthesizer.
• Analog simulates an analog synthesizer.
• Drum Machines is a collection of emulators for classic drum machines.
• Session Drums is a collection of sampled drum kits.
• Latin Percussion is a collection of sampled latin percussion hits and loops.
• Essential Instruments Collection is a large collection of acoustic and electric instrument samples.
• Orchestral Instrument Collection is a collection of four different
orchestral libraries, which can be purchased individually or as a bundle. They are as follows: Orchestral Strings, Orchestral Brass, Orchestral Woodwinds and Orchestral Percussion. The Orchestral Instrument Collection is not included in Live Suite.
Effects
Most of the effects are fairly familiar effects in the digital signal processing world which have been adapted to fit Live's interface. They are however fairly obviously tailored for the target audience of Live – electronic musicians and DJs – rather than, say, post processing a guitar rig.
The audio effects shipped with Live are:
• Auto Filter
• Auto Pan
• Beat Repeat
• Chorus
• Compressor
• Corpus
• Dynamic Tube
• EQ Eight
• EQ Three
• Erosion
• Filter Delay
• Flanger
• Frequency Shifter
• Gate
• Grain Delay
• Limiter
• Looper
• Multiband Dynamics
• Overdrive
• Phaser
• Ping Pong Delay
• Redux
• Resonators
• Reverb
• Saturator
• Simple Delay
• Spectrum
• Utility
• Vinyl Distortion
• Vocoder
Additionally, there are a handful of MIDI effects:
• Arpeggiator
• Chord
• Note Length
• Pitch
• Random
• Scale
• Velocity
Live is also able to use VST and (on the Macintosh version) Audio Unit (AU) plug-ins.
Working with audio clips
In addition to the instruments mentioned above, Live can work with samples. Live attempts to do beat analysis of the samples to find their meter, number of bars and the number of beats per minute. This makes it possible for Live to shift these samples to fit into loops that are tied into the piece's global tempo.
Additionally Live's Time Warp feature can be used to either correct or adjust beat positions in the sample. By setting warp markers to a specific point in the sample, arbitrary points in the sample can be pegged to positions in the measure. For instance a drum beat that fell 250 ms after the midpoint in measure may be adjusted so that it will be played back precisely at the midpoint.
Some artists and online stores, such as The Covert Operators and Puremagnetik, now make available sample packs that are pre-adjusted, with tempo information and warp markers added. The audio files are accompanied with an "analysis file" in Live's native format.
Envelopes
Almost all of the parameters in Live are controlled by envelopes which may be drawn either on clips and will be used in every performance of that clip or into the arrangement so that they vary at different points in the playback of a composition. The most obvious examples are volume or track panning, but these are also used in Live to set things like the root note of a resonator or the delay time or feedback amount for a delay effect. Essentially these map to most of what would be a knob on an effect in a traditional audio processing rack and in fact they may be mapped to knobs on MIDI controllers.
Live 8
On January 15, 2009, Ableton announced version 8 of Live. Live 8 includes a wealth of new features, including an integrated Max/MSP platform, internet collaboration features, and many new effects and workflow enhancements, as well as a refined piracy protection system. Also announced was a dedicated hardware controller developed in collaboration with Akai, called the APC40. Live 8 was released on April 1st of 2009. Max for Live is slated for release in 2009.
Saturday, August 8, 2009
UnderGround Ad: ReasonWenzTheAlbumCuminOut? mixtape
Thursday, August 6, 2009
UnderGround Theory: Third Eye Series - SWINE FLU Conspiracy!
[I don't normally cut and paste news articles, but in this very special case...]
As the anticipated July release date for Baxter's A/H1N1 flu pandemic vaccine approaches, an Austrian investigative journalist is warning the world that the greatest crime in the history of humanity is underway. Jane Burgermeister has recently filed criminal charges with the FBI against the World Health Organization (WHO), the United Nations (UN), and several of the highest ranking government and corporate officials concerning bioterrorism and attempts to commit mass murder. She has also prepared an injunction against forced vaccination which is being filed in America.
These actions follow her charges filed in April against Baxter AG and Avir Green Hills Biotechnology of Austria for producing contaminated bird flu vaccine, alleging this was a deliberate act to cause and profit from a pandemic.
In her charges, Burgermeister presents evidence of acts of bioterrorism that is in violation of U.S. law by a group operating within the U.S. under the direction of international bankers who control the Federal Reserve, as well as WHO, UN and NATO. This bioterrorism is for the purpose of carrying out a mass genocide against the U.S. population by use of a genetically engineered flu pandemic virus with the intent of causing death.
This group has annexed high government offices in the U.S.
Specifically, evidence is presented that the defendants, Barack Obama, President of the U.S, David Nabarro, UN System Coordinator for Influenza, Margaret Chan, Director-General of WHO, Kathleen Sibelius, Secretary of Department of Health and Human Services, Janet Napolitano, Secretary of Department of Homeland Security, David de Rotschild, banker, David Rockefeller, banker, George Soros, banker, Werner Faymann, Chancellor of Austria, and Alois Stoger, Austrian Health Minister, among others, are part of this international corporate criminal syndicate which has developed, produced, stockpiled and employed biological weapons to eliminate the population of the U.S. and other countries for financial and political gain.
The charges contend that these defendants conspired with each other and others to devise, fund and participate in the final phase of the implementation of a covert international bioweapons program involving the pharmaceutical companies Baxter and Novartis. They did this by bioengineering and then releasing lethal biological agents, specifically the "bird flu" virus and the "swine flu virus" in order to have a pretext to implement a forced mass vaccination program which would be the means of administering a toxic biological agent to cause death and injury to the people of the U.S. This action is in direct violation of the Biological Weapons Anti-terrorism Act.
Burgermeister's charges include evidence that Baxter AG, Austrian subsidiary of Baxter International, deliberately sent out 72 kilos of live bird flu virus, supplied by the WHO in the winter of 2009 to 16 laboratories in four counties. She claims this evidence offers clear proof that the pharmaceutical companies and international government agencies themselves are actively engaged in producing, developing, manufacturing and distributing biological agents classified as the most deadly bioweapons on earth in order to trigger a pandemic and cause mass death.
Check out part 2 of the swine flu conspiracy coming soon!
Writing: Roy Nelson
Pix: Protect DaInternet
As the anticipated July release date for Baxter's A/H1N1 flu pandemic vaccine approaches, an Austrian investigative journalist is warning the world that the greatest crime in the history of humanity is underway. Jane Burgermeister has recently filed criminal charges with the FBI against the World Health Organization (WHO), the United Nations (UN), and several of the highest ranking government and corporate officials concerning bioterrorism and attempts to commit mass murder. She has also prepared an injunction against forced vaccination which is being filed in America.
These actions follow her charges filed in April against Baxter AG and Avir Green Hills Biotechnology of Austria for producing contaminated bird flu vaccine, alleging this was a deliberate act to cause and profit from a pandemic.
In her charges, Burgermeister presents evidence of acts of bioterrorism that is in violation of U.S. law by a group operating within the U.S. under the direction of international bankers who control the Federal Reserve, as well as WHO, UN and NATO. This bioterrorism is for the purpose of carrying out a mass genocide against the U.S. population by use of a genetically engineered flu pandemic virus with the intent of causing death.
This group has annexed high government offices in the U.S.
Specifically, evidence is presented that the defendants, Barack Obama, President of the U.S, David Nabarro, UN System Coordinator for Influenza, Margaret Chan, Director-General of WHO, Kathleen Sibelius, Secretary of Department of Health and Human Services, Janet Napolitano, Secretary of Department of Homeland Security, David de Rotschild, banker, David Rockefeller, banker, George Soros, banker, Werner Faymann, Chancellor of Austria, and Alois Stoger, Austrian Health Minister, among others, are part of this international corporate criminal syndicate which has developed, produced, stockpiled and employed biological weapons to eliminate the population of the U.S. and other countries for financial and political gain.
The charges contend that these defendants conspired with each other and others to devise, fund and participate in the final phase of the implementation of a covert international bioweapons program involving the pharmaceutical companies Baxter and Novartis. They did this by bioengineering and then releasing lethal biological agents, specifically the "bird flu" virus and the "swine flu virus" in order to have a pretext to implement a forced mass vaccination program which would be the means of administering a toxic biological agent to cause death and injury to the people of the U.S. This action is in direct violation of the Biological Weapons Anti-terrorism Act.
Burgermeister's charges include evidence that Baxter AG, Austrian subsidiary of Baxter International, deliberately sent out 72 kilos of live bird flu virus, supplied by the WHO in the winter of 2009 to 16 laboratories in four counties. She claims this evidence offers clear proof that the pharmaceutical companies and international government agencies themselves are actively engaged in producing, developing, manufacturing and distributing biological agents classified as the most deadly bioweapons on earth in order to trigger a pandemic and cause mass death.
Check out part 2 of the swine flu conspiracy coming soon!
Writing: Roy Nelson
Pix: Protect DaInternet
Wednesday, August 5, 2009
UnderGround Review: Ableton Live v. 8
Ableton Live is a professional loop-based software music sequencer for Mac OS and Windows by Ableton. The latest major release of Live, Version 8, was released in April 2009. Unlike other software sequencers, Live is designed around the notion of being as much an instrument for live performances as a tool for composing and arranging. It is also often used for precision mixing of tracks by DJs. The first version of the highly popular beat making program was released in 2001 as a commercial piece of software.
Features
Much of Live's unique interface comes from being designed for use in live performance as well as for production. As such the interface is more compact than most sequencers and clearly designed for use on a single screen. There are few pop up messages or dialogs. Portions of the interface are hidden and shown based on arrows which may be clicked to show or hide a certain segment (e.g. to hide the instrument/effect list or to show or hide the help box).
Views
Ableton Live (8) is composed of two "views" – the arrangement view and the session view. The session view is primarily used to organize and trigger sets of sounds called clips. These clips may be arranged into scenes which may be triggered as a unit. For instance a drum, bass and guitar track might comprise a single scene. When moving on to another portion of the composition – a new scene – some or all of those parts might differ and could be triggered in parallel. In Live 6, there is also the addition of "racks" which allow the user to easily group instruments and effects.
The other view is the arrangement view, which is used for recording tracks from the session view and further manipulating their arrangement and effects. This view is fairly similar to a traditional software sequencer interface.
Clips may either be an audio sample or MIDI (triggering one of Live's built in instruments, third party VSTs instruments or external hardware). Live comes by default with two instruments – Impulse and Simpler.
Check out The UnderGround aNgle next week for part 2 of the Ableton Live Review, when we take a look at Instruments, Effects, Samples and special v.8 features!
Features
Much of Live's unique interface comes from being designed for use in live performance as well as for production. As such the interface is more compact than most sequencers and clearly designed for use on a single screen. There are few pop up messages or dialogs. Portions of the interface are hidden and shown based on arrows which may be clicked to show or hide a certain segment (e.g. to hide the instrument/effect list or to show or hide the help box).
Views
Ableton Live (8) is composed of two "views" – the arrangement view and the session view. The session view is primarily used to organize and trigger sets of sounds called clips. These clips may be arranged into scenes which may be triggered as a unit. For instance a drum, bass and guitar track might comprise a single scene. When moving on to another portion of the composition – a new scene – some or all of those parts might differ and could be triggered in parallel. In Live 6, there is also the addition of "racks" which allow the user to easily group instruments and effects.
The other view is the arrangement view, which is used for recording tracks from the session view and further manipulating their arrangement and effects. This view is fairly similar to a traditional software sequencer interface.
Clips may either be an audio sample or MIDI (triggering one of Live's built in instruments, third party VSTs instruments or external hardware). Live comes by default with two instruments – Impulse and Simpler.
Check out The UnderGround aNgle next week for part 2 of the Ableton Live Review, when we take a look at Instruments, Effects, Samples and special v.8 features!
Tuesday, August 4, 2009
UnderGround Ad: Skye Wanda - The Valedictorian..
Friday, July 31, 2009
UnderGround Theory: Third Eye Series - Globalization Defined.
"The diminution or elimination of state-enforced restrictions on exchanges across borders and the increasingly integrated and complex global system of production and exchange that has emerged as a result." Tom G. Palmer, of the Cato Institute.
This was once the most accurate definition of globalization. Things have since taken a turn to communication based globalization according to Anthony Giddens, a British sociologist renowned for his 1999 book ‘Runaway World: How globalization is reshaping our lives’, who suggests that communication has become the cornerstone of modern globalization. I present this essay to illustrate the transition the world has taken from economic globalization to communication based globalization.
The term "globalization" has been used by economists since the 1980s. However, its concepts did not become popular until the latter half of the 1980s and 1990s. Early forms of globalization existed during the Roman Empire, the Parthian empire, and the Han Dynasty, when the Silk Road started in China, reached the boundaries of the Parthian empire, and continued onwards towards Rome. In the 17th century, globalization became a business phenomenon when the British East India Company, which is often described as the first multinational corporation, was established. Because of the high risks involved with international trade, the British East India Company became the first company in the world to share risk and enable joint ownership of companies through the issuance of shares of stock: an important driver for globalization.
After World War II, politicians recognized the costs associated with protectionism and declining international economic integration. This led to the Bretton Woods conference and the founding of several international institutions intended to oversee the renewed processes of globalization, These institutions include the International Bank for Reconstruction and Development (the World Bank), and the International Monetary Fund.
Globalization has been facilitated by advances in technology which have reduced the costs of trade, and trade negotiation rounds, originally under the auspices of the General Agreement on Tariffs and Trade (GATT). The barriers of international trade seemed to have been broken down, or at least lowered through international agreements. GATT, in cohesion with the World Trade Organization (WTO) then carried out certain initiatives that established economic trade as the fundamental keystone of globalization. These initiatives include;
• Promotion of free trade:
o Reduction or elimination of tariffs; creation of free trade zones with small or no tariffs
o Reduced transportation costs, especially resulting from development of containerization for ocean shipping.
o Reduction or elimination of capital controls
o Reduction, elimination, or harmonization of subsidies for local businesses
• Restriction of free trade:
o Harmonization of intellectual property laws across the majority of states, with more restrictions.
o Supranational recognition of intellectual property restrictions (e.g. patents granted by China would be recognized in the United States)
Looking specifically at economic globalization, the establishment of fast-food chains is a very good example of the rapid growth that economic globalization in a short space of time, this demonstrates that it can be measured in different ways. These center around the four main economic flows that characterize globalization:
• Goods and services, e.g. exports plus imports as a proportion of national income or per capita of population
• Labor/people, e.g. net migration rates; inward or outward migration flows, weighted by population
• Capital, e.g. inward or outward direct investment as a proportion of national income or per head of population
• Technology, e.g. international research & development flows; proportion of populations (and rates of change thereof) using particular inventions (especially 'factor-neutral' technological advances such as the telephone, motorcar, broadband)
As globalization is not only an economic phenomenon, a multivariate approach to measuring globalization is the recent index calculated by the Swiss think tank KOF. The index measures the three main dimensions of globalization: economic, social, and political. In addition to three indices measuring these dimensions, an overall index of globalization and sub-indices referring to actual economic flows, economic restrictions, data on personal contact, data on information flows, and data on cultural proximity is calculated.
“However, I don't believe either the skeptics or the radicals have properly understood either what it is or its implications for us. Both groups see the phenomenon almost solely in economic terms. This is a mistake. Globalization is political, technological and cultural, as well as economic. It has been influenced above all by developments in systems of communication, dating back only to the late 1960's.” Anthony Giddens.
In his lecture, Giddens goes on to explain how the political and cultural globalization has become just as important as the economic factor. This brings into light the influence communication has had on globalization. It is important to realize that globalization cannot be credited to the ‘open economy’ but to a number of other factors, which include a more technologically advanced society that interacts on a more personal and instant level.
Globalization thus is a complex set of processes, not a single one. And these operate in a contradictory or oppositional fashion. Most people think of it as simply 'pulling away' power or influence from local communities and nations into the global arena. And indeed this is one of its consequences. Nations do lose some of the economic power they once had.
However, it also has an opposite effect. Globalization not only pulls upwards, it pushes downwards, creating new pressures for local autonomy. The American sociologist Daniel Bell expresses this very well when he says that the nation becomes too small to solve the big problems, but also too large to solve the small ones.
Since the burst in world wide trade and the breakthrough of economic globalization, much has changed. Most credit should be given to the internet for putting communication based globalization on the map so to speak. As the most influential country’s economies are heading towards collapse, only time will tell if the shoulders of communication are broad enough to carry globalization.
Writing: Submerged Knowledge
Pix: Protect DaInternet
[From what you have read above, do you know see how first world countries are using globalization and online communication to further expand their empires? It is only a matter of time before we are introduced to the New World Order and One World Government! Thank you SK. Peace – Oblivious Truth]
This was once the most accurate definition of globalization. Things have since taken a turn to communication based globalization according to Anthony Giddens, a British sociologist renowned for his 1999 book ‘Runaway World: How globalization is reshaping our lives’, who suggests that communication has become the cornerstone of modern globalization. I present this essay to illustrate the transition the world has taken from economic globalization to communication based globalization.
The term "globalization" has been used by economists since the 1980s. However, its concepts did not become popular until the latter half of the 1980s and 1990s. Early forms of globalization existed during the Roman Empire, the Parthian empire, and the Han Dynasty, when the Silk Road started in China, reached the boundaries of the Parthian empire, and continued onwards towards Rome. In the 17th century, globalization became a business phenomenon when the British East India Company, which is often described as the first multinational corporation, was established. Because of the high risks involved with international trade, the British East India Company became the first company in the world to share risk and enable joint ownership of companies through the issuance of shares of stock: an important driver for globalization.
After World War II, politicians recognized the costs associated with protectionism and declining international economic integration. This led to the Bretton Woods conference and the founding of several international institutions intended to oversee the renewed processes of globalization, These institutions include the International Bank for Reconstruction and Development (the World Bank), and the International Monetary Fund.
Globalization has been facilitated by advances in technology which have reduced the costs of trade, and trade negotiation rounds, originally under the auspices of the General Agreement on Tariffs and Trade (GATT). The barriers of international trade seemed to have been broken down, or at least lowered through international agreements. GATT, in cohesion with the World Trade Organization (WTO) then carried out certain initiatives that established economic trade as the fundamental keystone of globalization. These initiatives include;
• Promotion of free trade:
o Reduction or elimination of tariffs; creation of free trade zones with small or no tariffs
o Reduced transportation costs, especially resulting from development of containerization for ocean shipping.
o Reduction or elimination of capital controls
o Reduction, elimination, or harmonization of subsidies for local businesses
• Restriction of free trade:
o Harmonization of intellectual property laws across the majority of states, with more restrictions.
o Supranational recognition of intellectual property restrictions (e.g. patents granted by China would be recognized in the United States)
Looking specifically at economic globalization, the establishment of fast-food chains is a very good example of the rapid growth that economic globalization in a short space of time, this demonstrates that it can be measured in different ways. These center around the four main economic flows that characterize globalization:
• Goods and services, e.g. exports plus imports as a proportion of national income or per capita of population
• Labor/people, e.g. net migration rates; inward or outward migration flows, weighted by population
• Capital, e.g. inward or outward direct investment as a proportion of national income or per head of population
• Technology, e.g. international research & development flows; proportion of populations (and rates of change thereof) using particular inventions (especially 'factor-neutral' technological advances such as the telephone, motorcar, broadband)
As globalization is not only an economic phenomenon, a multivariate approach to measuring globalization is the recent index calculated by the Swiss think tank KOF. The index measures the three main dimensions of globalization: economic, social, and political. In addition to three indices measuring these dimensions, an overall index of globalization and sub-indices referring to actual economic flows, economic restrictions, data on personal contact, data on information flows, and data on cultural proximity is calculated.
“However, I don't believe either the skeptics or the radicals have properly understood either what it is or its implications for us. Both groups see the phenomenon almost solely in economic terms. This is a mistake. Globalization is political, technological and cultural, as well as economic. It has been influenced above all by developments in systems of communication, dating back only to the late 1960's.” Anthony Giddens.
In his lecture, Giddens goes on to explain how the political and cultural globalization has become just as important as the economic factor. This brings into light the influence communication has had on globalization. It is important to realize that globalization cannot be credited to the ‘open economy’ but to a number of other factors, which include a more technologically advanced society that interacts on a more personal and instant level.
Globalization thus is a complex set of processes, not a single one. And these operate in a contradictory or oppositional fashion. Most people think of it as simply 'pulling away' power or influence from local communities and nations into the global arena. And indeed this is one of its consequences. Nations do lose some of the economic power they once had.
However, it also has an opposite effect. Globalization not only pulls upwards, it pushes downwards, creating new pressures for local autonomy. The American sociologist Daniel Bell expresses this very well when he says that the nation becomes too small to solve the big problems, but also too large to solve the small ones.
Since the burst in world wide trade and the breakthrough of economic globalization, much has changed. Most credit should be given to the internet for putting communication based globalization on the map so to speak. As the most influential country’s economies are heading towards collapse, only time will tell if the shoulders of communication are broad enough to carry globalization.
Writing: Submerged Knowledge
Pix: Protect DaInternet
[From what you have read above, do you know see how first world countries are using globalization and online communication to further expand their empires? It is only a matter of time before we are introduced to the New World Order and One World Government! Thank you SK. Peace – Oblivious Truth]
Friday, July 24, 2009
UnderGround Ad: F-Eezy - Skelem 4 Sale
Thursday, July 23, 2009
UnderGround Opinion: Synoptix Tha Distorted One!
Now, I’m an old school type of head. You know, the boom bap, soul beats and intellectual raps type of head? But, there seems to be a problem with my kind of people. They choose to keep their knowledge and enlightened sense of hip hop to themselves and will not share this knowledge that they have attained with the new school heads that need it in order to understand the culture and mature themselves musically. In instances like these I find myself asking, why?
I often hear heads asking where ‘the real’ has gone to, and then blaming it on the young ones saying that they know nothing about the roots of the art. Well, here’s my viewpoint. The young heads won’t wake up one morning and start quoting classic scripts from Big L, Rakim and KRS1! They don’t know about these people and so therefore need to be schooled about them.
The new school heads are exposed to the bubblegum and pop beats type of crap (can’t call it music) and will therefore associate themselves with it because it’s what they see in the media, meanwhile the real heads keep pointing fingers and blaming the youngns for not following true hip hop. Truth is, you can’t blame these people for not knowing because to them Soulja boy is real hip hop and this happens because no one is there to teach them what real is.
Some of us heads (if not all of us, I don’t know) started out listening to the commercial nonsense before we met someone who said to us:” Kid, this is what you should be listening to.” Or “What the hell is that bullshit! This is what hip hop is kid.”
And then letting you listen to Wu-Tang or Pac portraying their life through a beat for your young mind to relate to. Now, is this not what we “real heads” should be doing today? Schooling the young heads, which will in turn help the culture to flourish and not be misinterpreted by some clowns who want to make a quick buck at the expense of the art form that means so much to you and I.
Don’t you think that if that Dem Franchise Boys track were to be substituted by an optical illusion capital O killer cut, we would have more young’ns recruited to our side? How did it feel when that older brother, Cousin or friend introduced you to that Illmatic tape by Nas? You were most probably intrigued by this music and felt like you wanted to be a part of it, and now you are! So now it’s your turn to give back what hip hop gave you.
Hip hop helped you grow and opened your eyes to the injustices and beauty of the world. Wouldn’t it be great if you could give the same gift to someone else? So the next time you see a kid in a multicolored hoodie with Soulja boy playing on his phone speaker, don’t diss him and blame him for the path that hip hop has taken but rather show him what real art is and then next time he might know how to sift through the wackness to get to the dope.
This is our job as heads because this will save our music from destruction and therefore build a new breed of heads who can continue the culture and help it grow. Let’s stop monopolizing hip hop, it’s ours to share.
Writing: Sipho “Synoptix” Khumalo
Pix: Synoptix
I often hear heads asking where ‘the real’ has gone to, and then blaming it on the young ones saying that they know nothing about the roots of the art. Well, here’s my viewpoint. The young heads won’t wake up one morning and start quoting classic scripts from Big L, Rakim and KRS1! They don’t know about these people and so therefore need to be schooled about them.
The new school heads are exposed to the bubblegum and pop beats type of crap (can’t call it music) and will therefore associate themselves with it because it’s what they see in the media, meanwhile the real heads keep pointing fingers and blaming the youngns for not following true hip hop. Truth is, you can’t blame these people for not knowing because to them Soulja boy is real hip hop and this happens because no one is there to teach them what real is.
Some of us heads (if not all of us, I don’t know) started out listening to the commercial nonsense before we met someone who said to us:” Kid, this is what you should be listening to.” Or “What the hell is that bullshit! This is what hip hop is kid.”
And then letting you listen to Wu-Tang or Pac portraying their life through a beat for your young mind to relate to. Now, is this not what we “real heads” should be doing today? Schooling the young heads, which will in turn help the culture to flourish and not be misinterpreted by some clowns who want to make a quick buck at the expense of the art form that means so much to you and I.
Don’t you think that if that Dem Franchise Boys track were to be substituted by an optical illusion capital O killer cut, we would have more young’ns recruited to our side? How did it feel when that older brother, Cousin or friend introduced you to that Illmatic tape by Nas? You were most probably intrigued by this music and felt like you wanted to be a part of it, and now you are! So now it’s your turn to give back what hip hop gave you.
Hip hop helped you grow and opened your eyes to the injustices and beauty of the world. Wouldn’t it be great if you could give the same gift to someone else? So the next time you see a kid in a multicolored hoodie with Soulja boy playing on his phone speaker, don’t diss him and blame him for the path that hip hop has taken but rather show him what real art is and then next time he might know how to sift through the wackness to get to the dope.
This is our job as heads because this will save our music from destruction and therefore build a new breed of heads who can continue the culture and help it grow. Let’s stop monopolizing hip hop, it’s ours to share.
Writing: Sipho “Synoptix” Khumalo
Pix: Synoptix
Sunday, July 19, 2009
Monday, July 13, 2009
UnderGround Innerview: Tujay Harmoniquez
If there was ever a definition of an underground MC, this would be it. Tujay Harmoniquez has been on the South African hip hop scene for a number of years now, and has already released his first album, started his own label, recruited new underground artists and is currently working on two new releases scheduled for late 09- early 2010. Now you might be asking yourself; why am I not familiar with his music? Answer: Cos he’s too underground for ya!
The UnderGround aNgLe was lucky enough to get an exclusive interview with the man himself about where he’s been, what he’s up to and what’s dropping next. Peep this.
You’ve been putting in mad studio time since you dropped 16 Bar Wire in 2008, what are you working on?
Just been hard at work with my album R18VSNL (Visual Sentences N Lyrics) and my upcoming promo titled Parental Guidance. I also been grindin’ on a couple features and projects I’m invited on; like the Lyrical Murda mixtape in London.
What’s 4Site Musik, and who are the artists affiliated with it?
4Site is my label. The name was inspired by me being a visionary, but also that I one day want it to be a internet driven label strictly selling online on mobile and pc. We affiliated with Ruff Cuttz Entertainment, we actually also working on making a conglomerate called Hitmason Family which is founded by my boy Krossword(Ruff Cuttz Ent Head) and myself.
What’s your relationship with Royal Swiss Cartel (R.S.C)?
I had been looking for management for a while man... I actually tried couple people that had big promises but never followed up. When I met K-Swiss, she told me bout R.S.C and I was very interested. they'll be releasing a compilation titled 'The Vault' with artists that they’re affiliated with including me and other big names like Rashid Kay and A.K.A to name a few. That'll be also touring the album.
When can we expect R18SNVL?
Ima’ release Parental Guidance first. That'll have my 3 singles and some tracks on used beats and some that didn't make the album. So during 'The Vault' tour, I'll be giving it away for free. Once there's demand, then I'll release R18VSNL.
Who are you working with on your next project?
At the moment I’m working my homies Krossword and my artist Trey Eighty. With production, also Krossword but I’m always chatting and networking, meaning a lot of production will come through so I can’t mention everyone now.
How are you planning on getting your music out there?
Mostly on the net bra, but also at gigs and Slam poetry sessions which is something I’ve recently taken on.
In the meantime, where can heads listen to Tujay Harmoniquez?
Get it or listen to it on Soundclick.com/TujayHarmoniquez or check me out on
Loadtheshow.com/show/TujayHarmoniquez
Make sure you get on these sites to check out Tujay Harmoniquez!
Writing: Unconscious Reality
Pix: 4Site Musik
The UnderGround aNgLe was lucky enough to get an exclusive interview with the man himself about where he’s been, what he’s up to and what’s dropping next. Peep this.
You’ve been putting in mad studio time since you dropped 16 Bar Wire in 2008, what are you working on?
Just been hard at work with my album R18VSNL (Visual Sentences N Lyrics) and my upcoming promo titled Parental Guidance. I also been grindin’ on a couple features and projects I’m invited on; like the Lyrical Murda mixtape in London.
What’s 4Site Musik, and who are the artists affiliated with it?
4Site is my label. The name was inspired by me being a visionary, but also that I one day want it to be a internet driven label strictly selling online on mobile and pc. We affiliated with Ruff Cuttz Entertainment, we actually also working on making a conglomerate called Hitmason Family which is founded by my boy Krossword(Ruff Cuttz Ent Head) and myself.
What’s your relationship with Royal Swiss Cartel (R.S.C)?
I had been looking for management for a while man... I actually tried couple people that had big promises but never followed up. When I met K-Swiss, she told me bout R.S.C and I was very interested. they'll be releasing a compilation titled 'The Vault' with artists that they’re affiliated with including me and other big names like Rashid Kay and A.K.A to name a few. That'll be also touring the album.
When can we expect R18SNVL?
Ima’ release Parental Guidance first. That'll have my 3 singles and some tracks on used beats and some that didn't make the album. So during 'The Vault' tour, I'll be giving it away for free. Once there's demand, then I'll release R18VSNL.
Who are you working with on your next project?
At the moment I’m working my homies Krossword and my artist Trey Eighty. With production, also Krossword but I’m always chatting and networking, meaning a lot of production will come through so I can’t mention everyone now.
How are you planning on getting your music out there?
Mostly on the net bra, but also at gigs and Slam poetry sessions which is something I’ve recently taken on.
In the meantime, where can heads listen to Tujay Harmoniquez?
Get it or listen to it on Soundclick.com/TujayHarmoniquez or check me out on
Loadtheshow.com/show/TujayHarmoniquez
Make sure you get on these sites to check out Tujay Harmoniquez!
Writing: Unconscious Reality
Pix: 4Site Musik
Sunday, July 12, 2009
UnderGround Beef: Munetsi vs. Zubz?
I recently came across this diss track aimed at Zubz the Last Letter on SS. From what I can tell, mUnesti is a Zim rapper who claims that Zubz has no support from his hometown, Harare, and that he called out the Golden mic holder but Zubz backed out??
Not sure if he's just taking shots. Anyway, check out the track titled Dzino owns you on SS.
PS: Dzino is the owner of Outrageous Records.
Tuesday, July 7, 2009
UnderGround Workshop: National Arts Festival hip hop workshop
Hip hop Activism is a seminar that will be held by Dr. Adam Haupt from UCT on Saturday 11 July at the National Arts Festival in Grahamstown, Eastern Cape. The seminar begins at 2:30 and will run for 60 mins at the Blue Theatre Eden Grove.
Info on Dr Haupt and Hip Hop Activism: Author of Stealing Empire: P2P, Intellectual Property and Hip-Hop Subversion, ADAM HAUPT asks "Is hip-hop blinged out?" Critics have made a great deal of the extent to which consumerism has overtaken youth culture, and hip-hop is their favourite case in point.
In this lecture, Haupt explores that part of hip-hop that "won't stop" - hip-hop activism. Haupt is a Senior Lecturer in the Centre for Film and Media Studies at the University of Cape Town. He has taught in the English Department at the University of the Western Cape as well as in the English and Drama departments at the University of Stellenbosch.
Tickets are available for R20 on www.nationalartsfestival.co.za. Book Now!
Info on Dr Haupt and Hip Hop Activism: Author of Stealing Empire: P2P, Intellectual Property and Hip-Hop Subversion, ADAM HAUPT asks "Is hip-hop blinged out?" Critics have made a great deal of the extent to which consumerism has overtaken youth culture, and hip-hop is their favourite case in point.
In this lecture, Haupt explores that part of hip-hop that "won't stop" - hip-hop activism. Haupt is a Senior Lecturer in the Centre for Film and Media Studies at the University of Cape Town. He has taught in the English Department at the University of the Western Cape as well as in the English and Drama departments at the University of Stellenbosch.
Tickets are available for R20 on www.nationalartsfestival.co.za. Book Now!
Wednesday, July 1, 2009
UnderGround Ad: RoadKill Magazine drops 2nd issue!
RoadKill Magazine is a local publication with the sole purpose of capturing Graffiti, as well as other illustrations, in South Africa’s major cities. This is their 2nd issue, which features high quality pictures, interviews with upcoming Graf artists as well as features on some of SA’s best underground Graffiti crews.
RoadKill Mag is available at the Shelf Life store in Cape Town, Ritual Store in Jsec or you can get it straight from the production company for R50! Cop it now!!
Look out for a full feature on Digital Design in underground hip hop coming soon!
Monday, June 29, 2009
UnderGround Style: The Motswako Nation
According to the largest online encyclopedia in the world, Wikipedia, Motswako is a Southern African genre of hip hop most popular in Botswana and South Africa. It consists of a mix of rap lyrics in both the local language (Setswana), and English layered on a steady beat. Other languages used include Zulu, French and Afrikaans as per the rapper's origin. The genre gained popularity in the late nineties as acts like Hip Hop Pantsula (Jabba) and Scar started rapping in Setswana, resulting in an increased followship from the local population.
From an underground perspective, mostwako is an every growing sub-genre of hip hop that should not be overlooked by underground MCs as commercial or sub-ordinate to other underground styles. Just like Cape Town gave birth to Spaza Rap, Mafikeng has given birth to motswako, and with more and more underground MCs preferring the style over the conventional English raps, it has become evident that motswako has firmly cemented its place in underground hip hop culture.
Acts like Jabba, Morafe and Tuks are not necessarily the pioneers or the best at the motswako style. Underground MCs like Katz, Molemi, KT and many more have been actively promoting social awareness through the motswako style and have gained a substantial following whilst doing so. This proves that though many perceive the style as a ‘good party mood tracks’, motswako should not be regarded as just that, and can be utilized to spread knowledge to those who are attracted to the style.
In Cap City, artists like Lyrical Eye and crews like Expressionists have managed to re-define the boundaries set for motswako and subsequently have brought more headz into underground hip hop. Other artists like Hakeem (Flex Boogie) have taken socially conscious lyrics and a message of power and prosperity to a national level through this style.
Disliked by many, understood by few and utilized by a minority, motswako has not only opened up another avenue for MCs to express themselves, but has also given back to the disadvantaged through financial returns. So as corporate companies pump money into motswako, underground headz should be the first to use that money and spread knowledge, social awareness and messages of peace, power and prosperity to all.
Motswako Nation Rise Up!
Pix: K Steph
Writing: Oblivious Truth
From an underground perspective, mostwako is an every growing sub-genre of hip hop that should not be overlooked by underground MCs as commercial or sub-ordinate to other underground styles. Just like Cape Town gave birth to Spaza Rap, Mafikeng has given birth to motswako, and with more and more underground MCs preferring the style over the conventional English raps, it has become evident that motswako has firmly cemented its place in underground hip hop culture.
Acts like Jabba, Morafe and Tuks are not necessarily the pioneers or the best at the motswako style. Underground MCs like Katz, Molemi, KT and many more have been actively promoting social awareness through the motswako style and have gained a substantial following whilst doing so. This proves that though many perceive the style as a ‘good party mood tracks’, motswako should not be regarded as just that, and can be utilized to spread knowledge to those who are attracted to the style.
In Cap City, artists like Lyrical Eye and crews like Expressionists have managed to re-define the boundaries set for motswako and subsequently have brought more headz into underground hip hop. Other artists like Hakeem (Flex Boogie) have taken socially conscious lyrics and a message of power and prosperity to a national level through this style.
Disliked by many, understood by few and utilized by a minority, motswako has not only opened up another avenue for MCs to express themselves, but has also given back to the disadvantaged through financial returns. So as corporate companies pump money into motswako, underground headz should be the first to use that money and spread knowledge, social awareness and messages of peace, power and prosperity to all.
Motswako Nation Rise Up!
Pix: K Steph
Writing: Oblivious Truth
Sunday, June 28, 2009
UnderGround Crew: Illumenati Getuies (DMus & Maniak)
Getuienis is an Afrikaans duo coming straight outta Cape Town with raw story telling and an in-depth representation of real life on the Cape Flats through underground hip hop culture. Made up of West coast hip hop veterans DMus and Maniak, Getuienis arrive back on the scene with their new project titled Illumenati Getuies. DMus has featured on countless mixtape's in and around Cape Town including the underground mixtape Ancient Men, produced by Hipe and released in 2001.
Their new offering is very well thought out and their content on each track leaves listeners with something to think about every time they get on the mic. Songs like “Freedom Fighters” and “A Place” are excellent examples of the struggle that this crew represents.
"Thabo Mbeki/ Julle system het nog nooit gewerkie/ My mense raak pandiete en bergies/ Want ons kry nie werkie/ Nou hoe kan julle expect, ons moet vir julle respekt/ As julle ons dis-respekt en neglect, Voetsek" – Maniak.
One half of Getuienis is Maniak. This is a guy that needs to be given a platform on the underground as soon as possible. With his socially conscious topics and messages of bringing freedom and justice to the coloured society on the Cape Flats that have been neglected by their government and leaders, Maniak inspires listeners not to accept their situation of poverty and to rise up against oppressors.
The UnderGround Angle was lucky enough to receive some music videos from DMus and Maniak with their new album. Once you take a look at the footage that is shown in these vids, you quickly realize that Illumenati Getuies is about much more than bling and money. Their honest desire to spread knowledge and awareness around the struggle that millions of South Africans go through on a daily basis is to be admired.
Tracks like DMus’ “Rymklets” and Maniak’s “Devide en Conquer” stand out as underground hits. Though the production on Illumenati Getuies leaves a lot to be desired, their content and flow more than makes up for the beats. On the music vids, you can expect to hear some classic Hipe beats such as tracks like “Rebel With A Cause”.
For more information, and to see the Getuienis music video's, look out for The UnderGround Angle's "youtube" channel launching soon.
HIP HOP LIVES!!!!!!!
Friday, June 26, 2009
Monday, June 22, 2009
UnderGround Gig: Expressionists Keep It Blazing!
The highly anticipated Expressionists Keep It Warm session went down on the 12th of June at the TUT main campus hip hop spot, Jamrock. The show served as an initiative to empower all in attendance with expression in its most natural form and help those less fortunate by collecting blankets, clothes and food. Performances by the Expressionists and an extensive selection of other underground MCs, poets and hip hop lovers from around
Though the show went on for a while without a microphone, the poets in attendance kept the crowd entertained with scripts of valuable wisdom, love, death and hip hop. Local food outlet Romans Pizza also extended a helping hand to hip hop culture by donating two umbrellas to give the Expressionists Keep it Warm project a more professional appeal.
All together, many underprivileged families, youths and adults were able to benefit from this initiative and will be kept warm this winter through the power of hip hop.
For more information and to see the show's gallery, get on jamrockexpress.blogspot.com
Expressionists Express!!
Wednesday, June 17, 2009
UnderGround Review: Mothipa - Cure For The Pain
This album is a definite underground must have. Not only does it add respect to your collection of underground hip hop, but also spreads knowledge and might just teach young hopeful underground MCs a thing or two about lyricism with his new LP titled Cure For The Pain.
Addressing a range of different issues, such as crunk music and “Cap City cats who weren’t ready for his dope style”, Mothipa has put together a wonderful contribution to underground hip hop music. He starts off with an intro that clearly explains why the project had to be made, and progresses through with dope rhymes on nice beats. Tracks like “Hypnotic Hip Hop” and Industry Hijack represent him well and exhibits his excellent writing skill.
So much more could be said about Cure For The Pain but it would be best if you just copped yourself.
Addressing a range of different issues, such as crunk music and “Cap City cats who weren’t ready for his dope style”, Mothipa has put together a wonderful contribution to underground hip hop music. He starts off with an intro that clearly explains why the project had to be made, and progresses through with dope rhymes on nice beats. Tracks like “Hypnotic Hip Hop” and Industry Hijack represent him well and exhibits his excellent writing skill.
So much more could be said about Cure For The Pain but it would be best if you just copped yourself.
UnderGround Theory: June 16 Series - The Aftermath
It is ironic that the first known political activist, of the day, to be arrested was George Wauchope, who was the Chairman of the Johannesburg Central Branch of the B.P.C.
Magaute Molefe, Administrative Secretary at the Head Office of the B.P.C., followed. By the end of July 1976 almost all active members of the B.P.C. in Johannesburg had been detained, including the President, Hlaku Rachidi and the Secretary General, Thandisizwe Mazibuko.
The flood of young people into exile after the uprisings served as a serious indictment on all the liberation movements. The fact is that prior to June 1976, there wasn’t enough pressure exerted on the South African regime military either because the organisations lacked the capacity or the political will to do so.
The formation of the United Democratic Front (UDF), which the B.C. camp aptly named Uniroyal, Dunlop and Firestone after the tyre companies because of the number of necklace murders they carried out against anybody that disagreed with them or presented better arguments to their, was an effort on part of one of these organisations to show a presence in the country.
In 1978 at the Modder Bee Prison where most activists were imprisoned after the banning of the B.C. organisations, some turn coats, as one would expect them, went all out to attack the B.P.C. and the Black Consciousness Philosophy. This came as a result of a Radio Freedom broadcast which condemned the Committee of Ten – forerunner to today’s civic movement in this country – and thus the B.P.C. as “sell-outs” who deserved the firing squad. This broadcast was heard by inmates at the Modder Bee Prison.
In 1979, some of these turn coats went about telling members of the Azainian Peoples Organisation (AZAPO), which was founded on the 28th of April 1978 and had most its leadership harassed, imprisoned and banned, that if they did not disband by the end of July 1979, they would not be held responsible for what would happen to AZAPO and B.C. adherents. Several meetings called to try and address these tensions failed and that in fact was the beginning of the “politics of intolerance” and political hegemony among the oppressed in the country.
Very inflammatory statements against AZAPO in this same year by one cleric after the abortive Ted Kennedy visit to South Africa did not make things any easier.
It is indeed ironic and sad that some of the B.C. cadres that fled the country in the mid-eighties to seek political asylum in foreign countries did so not in flight from savage Boer repression, but form the UDF activists who were hunting them down with obvious intention of killing them in the savage manner that they had grown accustomed to and which had become their trademark, the necklace – Black South Africa’s curse of the century!
All these things were done with the misplaced hope that the B.C.M. would be removed from the South African political arena. How wrong they were!
CONCLUSION
Magaute Molefe, Administrative Secretary at the Head Office of the B.P.C., followed. By the end of July 1976 almost all active members of the B.P.C. in Johannesburg had been detained, including the President, Hlaku Rachidi and the Secretary General, Thandisizwe Mazibuko.
The flood of young people into exile after the uprisings served as a serious indictment on all the liberation movements. The fact is that prior to June 1976, there wasn’t enough pressure exerted on the South African regime military either because the organisations lacked the capacity or the political will to do so.
The formation of the United Democratic Front (UDF), which the B.C. camp aptly named Uniroyal, Dunlop and Firestone after the tyre companies because of the number of necklace murders they carried out against anybody that disagreed with them or presented better arguments to their, was an effort on part of one of these organisations to show a presence in the country.
In 1978 at the Modder Bee Prison where most activists were imprisoned after the banning of the B.C. organisations, some turn coats, as one would expect them, went all out to attack the B.P.C. and the Black Consciousness Philosophy. This came as a result of a Radio Freedom broadcast which condemned the Committee of Ten – forerunner to today’s civic movement in this country – and thus the B.P.C. as “sell-outs” who deserved the firing squad. This broadcast was heard by inmates at the Modder Bee Prison.
In 1979, some of these turn coats went about telling members of the Azainian Peoples Organisation (AZAPO), which was founded on the 28th of April 1978 and had most its leadership harassed, imprisoned and banned, that if they did not disband by the end of July 1979, they would not be held responsible for what would happen to AZAPO and B.C. adherents. Several meetings called to try and address these tensions failed and that in fact was the beginning of the “politics of intolerance” and political hegemony among the oppressed in the country.
Very inflammatory statements against AZAPO in this same year by one cleric after the abortive Ted Kennedy visit to South Africa did not make things any easier.
It is indeed ironic and sad that some of the B.C. cadres that fled the country in the mid-eighties to seek political asylum in foreign countries did so not in flight from savage Boer repression, but form the UDF activists who were hunting them down with obvious intention of killing them in the savage manner that they had grown accustomed to and which had become their trademark, the necklace – Black South Africa’s curse of the century!
All these things were done with the misplaced hope that the B.C.M. would be removed from the South African political arena. How wrong they were!
CONCLUSION
The events leading up to the June16 1976 uprising, the event itself and its aftermath made a significant contribution to the freedom we enjoy in South Africa today. The courage and militancy displayed by those fearless young people on that faithful day, against armed and trigger happy apartheid soldiers, will forever be remembered in the history of South Africa. In declaring June 16 as South Africa’s Youth Day our government recognized the role played by the youth of 1976 in achieving democracy in South Africa.
President Mandela when addressing a rally on June 16 1994 remarked that “the brave young people of the 1976 generation are today eminent premiers, ministers and members of parliament. Today they are indeed the premiers and members of parliament.
Whist the Soweto uprising sparked a movement that led to the dismantling of apartheid, it is extremely tragic that so many young people were killed on the road to justice and democracy. Those schoolchildren who were murdered on June 16, 1976 will always be remembered by new generations of students in South Africa and everywhere in the world. – by Submerged Knowledge
UnderGround Ads: Album and Mixtape drops!
Thursday, June 11, 2009
UnderGround Theory: June 16 Series - The Uprising.
On June 16 of 1976, more than 10,000 school children went into the streets of Soweto (South Western Township) to protest against educational apartheid. As they were walking and singing peacefully for a planned rally at Orlando Football Stadium, a white policeman threw a tear-gas canister, without any warning, and throughout the rest of the riot police fired their automatic weapons on the students. At least four of the protesting youths were killed. This ignited what is known as the SOWETO UPRISING, the bloodiest episode of riots since the early sixties.
The aim of the protest by the Soweto schoolchildren was to prevent the white government enforcing Afrikaans as the language of instruction to black pupils. They already suffered discrimination with the inferior “Bantu Education” created especially by the apartheid regime.
June 16, 1976, and the defiant young black opposition to white rule, led to many South Africans of that generation stopping their studies or going into exile. Some never went back to school.
The first victim was 13 year old school boy, Hector Petersen, whose near lifeless body in the arms of Mbuyisa Makhubo came to symbolize the struggle of the youth of South Africa. A picture taken by Sam Nzima of the dying schoolboy was soon on almost every front page of every newspaper across the world.
The aim of the protest by the Soweto schoolchildren was to prevent the white government enforcing Afrikaans as the language of instruction to black pupils. They already suffered discrimination with the inferior “Bantu Education” created especially by the apartheid regime.
June 16, 1976, and the defiant young black opposition to white rule, led to many South Africans of that generation stopping their studies or going into exile. Some never went back to school.
The first victim was 13 year old school boy, Hector Petersen, whose near lifeless body in the arms of Mbuyisa Makhubo came to symbolize the struggle of the youth of South Africa. A picture taken by Sam Nzima of the dying schoolboy was soon on almost every front page of every newspaper across the world.
Violence continued, engulfing the West Rand Administration Board and various Government beerhalls, as well as private businesses. The unrest went on for days and started to spread across the country, so the demands of the students became broader. They wanted all those who had been detained to be released, and they anted to end racial discrimination. The students called on their parents to stay at home and many of them did.
The students took it upon themselves to put an end to racial discrimination, and to start a revolution with the expected result. - by Unconscious Reality
Wednesday, June 10, 2009
UnderGround Ad: Robo The Technician
This one is also already out. You might remember Robo from Back to the City. He was the dude that Hymphatic came on stage to introduce. Mad Dope!
I wonder if he's also gettin his beats done by Kanife?? Should be interesting.
Nevertheless, this album is availible at Ritual Stores inb Newtown, Cop it now!!
UnderGround Theory: June 16 Series - Background
Today, several organisations and individuals have claimed responsibility for the uprising. However, events prior to June 16 1976 will show that no one other than the students themselves, under the leadership of the South African Students Movement (SASM), can claim responsibility. To this end, we will look at events prior to the day in terms of:
-Political trends obtaining at that time
-The Afrikaans Issue
POLITICAL TRENDS
The political balance was shifting significantly against the South African Government through a process that began with strikes in Natal, Transvaal and the Cape in 1972. In neighbouring states, Frelimo in Mozambique and the MPLA in Angola began their guerilla war against their oppressive governments. This inspired black people inside South Africa who saw other oppressed people fighting oppression and racism.
Another philosophy had begun to take root inside the country under the leadership of Steve Biko. Black Consciousness was a philosophy of black pride and a commitment to the fight for freedom. The South African Students Organisation, which played a major role in the events leading to the June 16 uprising, was born out of this philosophy.
From its inception, the South African Students Organisation (SASO) had initially placed emphasis on the psychological liberation, which was the driving force behind the student uprisings of 1976
All Black organisations that were operating above the board in that period were doing so under the broad banner of Black Consciousness (B.C.) – there was this common understanding and approach to the liberation of the country. Even organisations such as Inkatha Cultural Movement, which were at odds with the B.C.M. on a number of issues – such as operating within the Bantustan system, were appreciative of B.C.
Thus prior to 1976, the Black Community did not have the political cleavages currently obtaining. Consultations were held across known political affiliations. Therefore, the Black People’s Convention (B.P.C.) could easily consult with the known members of other organisations.
THE AFRIKAANS ISSUE
If there is anybody who could claim responsibility for the June 16 1976 Uprisings, it could be Dr Andries Treurnicht, who was then Deputy Minister of Bantu Administration, Development and Education in charge of Bantu Education, under Minister M.C. Botha. His Memorandum to School Boards, Inspectors and Principals instructing them to use Afrikaans as the medium of instruction was the direct cause of unrest.
The first group to respond to these instructions was the Tswana School Boards. As early as January 1976, these school boards in Meadowlands, Dobsonville and other areas under the Tswana School Boards had taken an attitude towards this instruction. An excerpt taken from the minutes of the Meadowlands Tswana School Board of the 20 January 1976 is instructive:
“In urban areas the education of a black child is being paid for by the White population, that is English and Afrikaans speaking people…” “…In future, if schools teach through a medium not prescribed by the department for a particular subject, examination question papers will only be set in the medium with no other option of other language.”
The objection of Tswana school boards was the control of their school boards had shifted to the Bophuthatswana government in terms of government legislation and that the central government no longer had any jurisdiction on them.
The B.P.C., through its Secretary General, Thandisizwe Mazibuko, participated in all meetings called by the Tswana School Board, together with Thomas Manthata in his capacity as an official of the Council of Churches. As a matter of fact, at the time of the outbreak of the unrest, the B.P.C. and the Tswana school board had engaged services of a lawyer to work on an interdict against the Minister.
In the meantime, the students in SOWETO had formed the Student Representative Council (S.R.C.)
The B.P.C. was in a better position to liaise with the S.R.C. in that some members of the organisation had been teachers in some of the Soweto High Schools like Ntoane, Naledi and Orlando West High.
It must however be made very clear that the planning of the march was left to the students. The weekend before the fateful June 16 day, a meeting was held between the students and members of the B.P.C. to finalise the strategy for the march.
Earlier I mentioned that the cornerstone of the B.C. philosophy was psychological liberation. The Afrikaans Issue was seen by the community and students at a large as part of a strategy National Party to oppress Black people psychologically. Thus, ways and means had to be found to counter this threat. The war of psychological liberation was therefore imminent. - by Oblivious Truth.
-Political trends obtaining at that time
-The Afrikaans Issue
POLITICAL TRENDS
The political balance was shifting significantly against the South African Government through a process that began with strikes in Natal, Transvaal and the Cape in 1972. In neighbouring states, Frelimo in Mozambique and the MPLA in Angola began their guerilla war against their oppressive governments. This inspired black people inside South Africa who saw other oppressed people fighting oppression and racism.
Another philosophy had begun to take root inside the country under the leadership of Steve Biko. Black Consciousness was a philosophy of black pride and a commitment to the fight for freedom. The South African Students Organisation, which played a major role in the events leading to the June 16 uprising, was born out of this philosophy.
From its inception, the South African Students Organisation (SASO) had initially placed emphasis on the psychological liberation, which was the driving force behind the student uprisings of 1976
All Black organisations that were operating above the board in that period were doing so under the broad banner of Black Consciousness (B.C.) – there was this common understanding and approach to the liberation of the country. Even organisations such as Inkatha Cultural Movement, which were at odds with the B.C.M. on a number of issues – such as operating within the Bantustan system, were appreciative of B.C.
Thus prior to 1976, the Black Community did not have the political cleavages currently obtaining. Consultations were held across known political affiliations. Therefore, the Black People’s Convention (B.P.C.) could easily consult with the known members of other organisations.
THE AFRIKAANS ISSUE
If there is anybody who could claim responsibility for the June 16 1976 Uprisings, it could be Dr Andries Treurnicht, who was then Deputy Minister of Bantu Administration, Development and Education in charge of Bantu Education, under Minister M.C. Botha. His Memorandum to School Boards, Inspectors and Principals instructing them to use Afrikaans as the medium of instruction was the direct cause of unrest.
The first group to respond to these instructions was the Tswana School Boards. As early as January 1976, these school boards in Meadowlands, Dobsonville and other areas under the Tswana School Boards had taken an attitude towards this instruction. An excerpt taken from the minutes of the Meadowlands Tswana School Board of the 20 January 1976 is instructive:
“In urban areas the education of a black child is being paid for by the White population, that is English and Afrikaans speaking people…” “…In future, if schools teach through a medium not prescribed by the department for a particular subject, examination question papers will only be set in the medium with no other option of other language.”
The objection of Tswana school boards was the control of their school boards had shifted to the Bophuthatswana government in terms of government legislation and that the central government no longer had any jurisdiction on them.
The B.P.C., through its Secretary General, Thandisizwe Mazibuko, participated in all meetings called by the Tswana School Board, together with Thomas Manthata in his capacity as an official of the Council of Churches. As a matter of fact, at the time of the outbreak of the unrest, the B.P.C. and the Tswana school board had engaged services of a lawyer to work on an interdict against the Minister.
In the meantime, the students in SOWETO had formed the Student Representative Council (S.R.C.)
The B.P.C. was in a better position to liaise with the S.R.C. in that some members of the organisation had been teachers in some of the Soweto High Schools like Ntoane, Naledi and Orlando West High.
It must however be made very clear that the planning of the march was left to the students. The weekend before the fateful June 16 day, a meeting was held between the students and members of the B.P.C. to finalise the strategy for the march.
Earlier I mentioned that the cornerstone of the B.C. philosophy was psychological liberation. The Afrikaans Issue was seen by the community and students at a large as part of a strategy National Party to oppress Black people psychologically. Thus, ways and means had to be found to counter this threat. The war of psychological liberation was therefore imminent. - by Oblivious Truth.
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